Born in Agrigento, Italy, 1972
Lives and works in Berlin, D

installation view: Rosa Barba, Level 2 Gallery, Tate Modern, London, 2010

installation view: Rosa Barba, Level 2 Gallery, Tate Modern, London, 2010

installation view: Rosa Barba, Level 2 Gallery, Tate Modern, London, 2010

installation view: Rosa Barba, Level 2 Gallery, Tate Modern, London, 2010

installation view: Rosa Barba, Level 2 Gallery, Tate Modern, London, 2010

installation view: Rosa Barba, Level 2 Gallery, Tate Modern, London, 2010
The Hidden Conference: about the discontinuous history of things we see and don't see, 2010
35mm film, optical sound
11:00 min.
Ed.: 5

filmstill: The Hidden Conference: about the discontinuous history of things we see and don't see, 2010
The Long Road, 2010
35mm film
6:10 min.
Ed.: 5

filmstill: The Long Road, 2010
The Empirical Effect, 2009
16mm film transferred to video
28:44 min.
Ed.: 5
Let me see it, 2009
16mm with optical sound and harmonium
voice: Matt Didemus; sound: Jan St. Werner
3:00 min.
Ed.: 5
Outwardly from Earth's Center, 2007
16 mm film transferred to video
24:00 min.
Ed.: 5
Coro Spezzato: The Future lasts one Day, 2009
5x modified projectors, 5x 16mm films
each 4:00 min.
Ed.: 3
installationview: Fare Mondi / Making Worlds, 53rd Venice Biennial, 2009
Machine Vision Seekers, 2004
moving projector, 16mm film, colour
6:45 min.
Ed.: 5
Western Round Table, 2007
2 projectors, 2 x 16 mm film, optical sound
3:48 min.
Ed.: 3

installation view: Stating the Real Sublime, Giò Marconi, 2009
The indifferent Back of a View rather than its Face, 2009
and
The personal Experience behind its Description, 2009
texts on felt
each 450 x 180 cm
Ed.: 3
installationview: Stating the real Sublime, Giò Marconi, 2009
They Come and Go, 2009
felt letters
dimensions variable
Ed.: 3
One Way Out, 2009
16mm film, optical sound
projector, tube, ventilator
ventilator + tube: lenght: 195 cm; diameter: 20 cm
film: 2:00 min.
Ed.: 3
Stating the real Sublime, 2009
suspended modified projector, 16mm film
2:50 min., loop
Ed.: 3
Enigmatic Whistler, 2009
projector, 16mm film, optical sound
2:00 min.
Ed.: 3
They Shine, 2007
35 mm film, optical sound
4:00 min.
Ed.: 5

installation view: Stating the Real Sublime, Giò Marconi, 2009
Waiting Grounds, 2007
16 mm film, optical sound
4:00 min.
Ed.: 5

installation view: Stating the Real Sublime, Giò Marconi, 2009
Panzano, 2000
16 mm film, colour
22:00 min.
Ed.: 5
It's gonna happen, 2005
16 mm film, colour, optical sound
3:00 min.
Ed.: 5
Flightmachine, 1999
35 mm film, colour
2:00 min.

installationview: Is it a two-dimensional analogy or a metaphor?, Centre International d'Art & du Paysage, Vassivière, France, 2010

installationview: Is it a two-dimensional analogy or a metaphor?, Centre International d'Art & du Paysage, Vassivière, France, 2010

installationview: Is it a two-dimensional analogy or a metaphor?, Centre International d'Art & du Paysage, Vassivière, France, 2010

installationview: Is it a two-dimensional analogy or a metaphor?, Centre International d'Art & du Paysage, Vassivière, France, 2010

installationview: Premio Italia Arte Contemporanea 2010, Maxxi, Rome, 2010

installationview: Premio Italia Arte Contemporanea 2010, Maxxi, Rome, 2010

installationview: Rosa Barba, Kunstverein Braunschweig, 2011

installationview: Rosa Barba, Kunstverein Braunschweig, 2011

installationview: Rosa Barba, Kunstverein Braunschweig, 2011

installationview: Rosa Barba, Kunstverein Braunschweig, 2011

installationview: Rosa Barba, Kunstverein Braunschweig, 2011

installationview: Rosa Barba, Kunstverein Braunschweig, 2011

installationview: Rosa Barba, Kunstverein Braunschweig, 2011

installationview: Rosa Barba, Kunstverein Braunschweig, 2011

installationview: Rosa Barba, Kunstverein Braunschweig, 2011

installationview: Rosa Barba, Kunstverein Braunschweig, 2011

installationview: Rosa Barba, Kunstverein Braunschweig, 2011

installationview: Rosa Barba, Kunstverein Braunschweig, 2011
Stage Archive, 2011
Sculpture
35mm film, perspex, guiding rollers, neon lamps, engines, control
Ø 320 cm
Ed.: 1, I
installation view: Stage Archive, Mart, Trento and Rovereto, 2011
photo: Emanuele Tonolli
Theory in order to Shed Light, 2011
Cutout on felt
each: 180 x 240 cm
Ed.: 3, II
installation view: Stage Archive, Mart, Trento and Rovereto, 2011
photo: Emanuele Tonolli
